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Steven Moffat: Writer or ex-term-in-ator of "Doctor Who"? |
When the words "strong
female character" are uttered aloud, the imagery one might produce might
be that of a young woman with a couple of battle scars holding a gun and/or
some other type of weaponry. At least, that's what Steven Moffat, the current
show runner of the BBC's popular sci-fi show, Doctor Who, seems to think of.
Many people could argue, "But Steven is a brilliant writer of female
characters! Look at Amy Pond and River Song!" While he may be a perfectly
talented writer who is capable of stringing together some of the most popular
and well-written episodes of the sci-fi giant, that doesn't excuse the sexist
and misogynistic writing that has befallen the audiences ever since Moffat has
been at the helm of Doctor Who.
For years, female characters have received the
same old story lines and roles in film and television; be the
"annoying wife", console the male or spend the entire movie
chasing after one. Whereas their male counterparts can spend an
entire movie saving lives or simply just being with their friends without
so much as a whisper from a female. These representations by the media
translate over to real life, telling women everywhere that they're not worth
anything unless they have a boyfriend or husband. And that's exactly what happened
to Doctor Who's seemingly fiesty companion, Amy Pond and her
daughter, River Song.
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Karen Gillan as Amy Pond. |
Both characters start out with a
seemingly interesting story ahead, only for the stories to fall flat on their
faces. Amy's story, although it starts out with just her and the Doctor's
adventures, ends up mainly revolves around her relationship with Rory Williams.
She is disguised as a strong woman by throwing quick quips at Rory and being
the "dominant" one in the relationship. This is, however, thrown
out the window in series seven when Amy decides that she and Rory are over. All
because Amy can't give Rory what he wants; children. (Because if a woman can't
have children, what good is she, right?! *sarcasm*). This right here is a
perfect example of Moffat's misogynistic ways.
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Alex Kingston as River Song/Melody Pond. |
River Song is another character
who showed great promise only to be stuck in the same story line over and over
again. She first appeared in the series four episode, "Silence in
the Library" and came across as a witty, interesting character from the
Doctor's future. Unbeknown to the Doctor, she was to be his wife. In the
end, that's all she becomes. Throughout the series' she spend numerous amounts
of time tracking down the Doctor and flirting with him. Most of that time she
is carrying a gun on her person. It is a well-known fact that the Doctor hates
violence, in particular guns, and has been quoted on several occasions stating
his strong dislike for them. A good example of this is a quote from the
sixth episode of the fourth series, “The Doctor’s Daughter”.
THE DOCTOR:
Call me old fashioned, but if you really wanted peace couldn't you just stop
fighting?
LIEUTENENT
COBB: Only when we have the Source. It will give us the power to erase every
stinking Hath off the face of this planet.
THE DOCTOR:
Hang on, a second ago it was peace in our time and now you're talking about
genocide!
LIEUTENENT
COBB: For us, that means the same thing!
THE DOCTOR:
Then you need to get yourself a better dictionary. When you do, look up
genocide. You'll see a little picture of me there and the caption'll read 'over
my dead body!'
(Series 4,
Episode 6 – The Doctor’s Daughter)
This character development is,
however, thrown away in the later seasons in favour of a quick flirting session
with River Song.
THE DOCTOR: Oh
and this is my friend River. Nice hair, clever, has her own gun and
unlike me she really doesn’t mind shooting people. I shouldn’t like that,
kinda do a bit.
RIVER SONG:
Thank you sweetie.
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Billie Piper as Rose Tyler, channeling "Bad Wolf". |
It seems that in Moffat’s eyes,
all women can be are smart, sassy and typically beautiful. This is a startling
comparison to the companions who were featured in Russell T Daives’ era of
Doctor Who. The characters were all relatable and shockingly imperfect (in a
good way). Although they had their sass and their intelligence, they also had
story lines which allowed them to grow and become better people, rather than
just spend two seasons running around chasing the Doctor. Another startling
difference between the female characters in Moffat’s era and RTD’s era is the companion’s
abilities to be the hero without the Doctor. In the two-part finale of the
first series, Rose (with the help of Mickey) opens the heart of the TARDIS and
soaks up the time vortex, becomes Bad Wolf and single handedly destroys the
Daleks and the Dalek Emperor. Whereas when Amy is faced with danger in “The
Girl Who Waited”, she sits and cries whilst waiting for the Doctor to save her.
See the difference?
Although there is evidence that
Moffat can write (The Empty Child, The Doctor Dances and Blink), it appears
that when at the helm of a television show, being in charge of character arcs
and plotlines, he is somewhat hopeless as to what real women are actually
capable of (other than flirting and being sassy, I mean). This is evident in
his shallow portrayal of women on the show Doctor Who, particularly in the
characters River Song and Amy Pond. To Moffat, it seems that women are no more
than an accessory. Here’s to hoping that Moffat’s writing improves in the
coming seasons.